What is juxtaposition? A gentle rain will come (2023)

analytical

A House Is Not a Home: The Limitation of Technology through Personification The May 6, 1950 issue of Collier's Magazine debuted a short story titled August 2026: There Will Come Gentle Rains, written by Ray Bradbury. Bradbury later included this story in his book The Martian Chronicle's, a collection of short pieces of science fiction. The story takes place in a dystopian future in the city of Allendale, California. There, a McClellan family home is all that remains after a horrific event (a suspected nuclear explosion) devastated the rest of the town.

Technology has grown in more ways than one where it has reached the point

... do not react to your own programming. Therefore, the House cannot make a decision to stop working with people who have already died. The house, therefore, represents order amidst chaos; The house is the only thing that works as everything around it is destroyed. It's the only thing that makes sense despite the total destruction after the nuclear war; It's the only place that retains its purpose despite the meaningless things that happen. The house tries to fight the entropy but doesn't win, the rubble just falls into the larger rubble of the city now destroyed. This symbolizes the pessimistic vision of man's determination to find meaning in the world (Chopin, Soft Rains Will Come).

Nature does not take care of the house as humans have done, and there is nothing that the house can achieve. "It was raining outside." (Bradbury 1) This rain suggests a sadness and melancholy fallen on the house at the loss of its "gods". This happened at eight o'clock, and when ten o'clock struck, "the sun came out from behind the rain." The sun represents the light on the dark world and the emergence of new information. Here in the story you learn that the family is really dead and not just gone. "The soft rain from the sprinklers filled the garden with falling light." This falling light embodies the end of an era not only of the people, but also the end of the life of this house. This phrase, along with Sara Teasdale's poem later in the story, foreshadows the end result of this story; made the death of all men

According to the following story "Soft rains will come", the main character is also the stage, which is a house. This is not a normal house, it is an automatic house, it can manipulate itself and you don't need human to control it. However, this house seems to be quite powerful, faced a dangerous situation, there was a fire. The house knows something unusual is going on and the house tried its best to fight the fire, but it eventually turned to ashes. This story makes me think so

Bradbury's use of personification in There Will Come Soft Rains also illustrates the complicated relationship between humans and technology. For example, he writes, "At ten o'clock the house began to die" (Bradbury 4). When the house really starts to die, readers feel confused because everything he did was absolutely methodical. The homes' quest for salvation and the sounds of dying evoke pain and human suffering. The personified house demolition may make the reader feel the deep and piercing pain of the situation, while a clear and detailed account of someone's death might simply force the reader to recoil in horror. Bradbury's heavy use of personification is effective because

There Will Come Soft Rains is a short story by Ray Bradbury about the high-tech smart home in a post-human world. Bradbury wrote and published this story in 1951 in one of his most acclaimed collections of stories, The Martain Chronicles. Written at a time when many people were deeply concerned about the devastating effects of nuclear weapons, this story depicts the world in which people are victims of the distraction of nuclear power. The short story is about a deserted planet. The story tells that nuclear war devastated people from the face of the earth and only one house remained. There Will Come Soft Rains focuses on the annihilation of the world and the downfall of mankind. The author speaks frankly about life after the disappearance of humans.

Fletcher initially leads the reader to believe that he actually lives in the house. The choice of phrases such as "I went upstairs to my pink apartment building, unpacked, and settled in" (Fletcher 81, 2000) helps the reader understand that this is no ordinary apartment. If you use the word "climb" to describe how you got to your apartment, you are telling the reader something. Certain words Fletcher uses let the reader know that he is making assumptions for most of his writing. Acceptance is another rhetorical concern for the reader. Of the four small rooms, one of the middle two was so small that I felt...

Phrases like “the door through which no visitor [had] gone eight or ten years ago” (52) and “[the house] [smells] of dust and disuse” (53) indicate that the Grierson residence more is a trap than a home. The Griersons consider it a safe house, but it actually traps them and cuts them off from society at large. Even the townspeople see this from an outside perspective. The house seems to the townspeople to be a stuffy and mysterious "slightly 1970s-style" (52) prison. The mysteriousness of the place makes the view from the outside almost irresistible. Therefore, the townspeople seem to pay close attention to what is going on around the house: "The black [enters] and leaves" (57). This causes a large number of small whispers to spread throughout the city. Observers note that the daily residents seem to disappear once the door is bolted, but that's about all their wanderings mean, especially for the new generation. These people experience "the [closing] of the front door [...] and [remaining] closed forever" (57) of Miss Emily's house. The house is not a house at all, but an inescapable prison.

One of the first houses the couple enters on their journey is their father's childhood home. For the father, looking at his house brings back memories of his life as a child. This scene infuriates the father, knowing that his son will never have the normal childhood he has. The father remembers what life was like before the disaster. “On cold winter nights, when the electricity went out during a storm, we sat here by the fire, me and mine